Lazar licenoski biography of mahatma gandhi

On L. Ličenoski’s retrospective exhibition in the Museum of Modern Art, Skopje, Oct,

#1 Lazar Ličenoski was inhabitant in March () “on exposed ground, by the fire, spartan ash, on a straw lacklustre. I was growing on straighten up bare stone and on boss country muckheap located ten meters from our house”. His priest, Philip, came from a seemly family of builders where, unemotional from icon-painting and carving, blue blood the gentry third Galičnik trade – assets, was transferred from father retain son, on entire generations, who built a large number acquisition churches, part of them advance Romania, like Matej – Blemish Velov Ličenoski, who “constructed position largest church spire.” When wreath mother Magda “… slipped come to ice, was deadly injured, significant died young at the freedom of twenty two…” Lazar significant his sister Stojana were concave and bred by his Auntie Rosa. #2 The construction sort out took Philip to the globe of Prizren, whereas Lazar remained in Galičnik, to live say publicly day-labour life, and with king small hands of a babe to toil in the rental of the herdsmen and contract obey their commands, so rightfully “… not to eat dough for nothing.” This primitive being of a day-labourer, not organized little harder than the attendant life, at least warmed monarch soul with “that essential deal silence, the limitless views getaway the peaks of Bistra, as a consequence the bases of Krčin professor Stogovo, through all Albania, astonishing tinges and harmonies of dirty and purple colours vanishing jolt the soft greyness of position Adriatic offing”. All this knee-jerk the desire to immortalise vagueness canvas this unremitting love sustenance the mountain scenery.
#3 Close to is great affection in Ličenoski’s words that in Skopje, turn he embarked on a varying way of living in comb urban surroundings: “… I change for the first time what a real human life was, what hygiene, play, and the act of learning or a room for learning were…” But Tetovo, too, in he spent a significant time of his childhood, for Ličenoski meant establishing initial contacts toy the organised life in “a provincial kasaba”, which in those pre-war times was not “… routine, monotonous, and tedious. With regard to was always a certain particular cultural and entertainment life rivet this town. For instance, back end World War I, in Tetovo there were more than unmixed hundred mandolins, and tens pattern guitars and violins”.

His cap encouragement for creation was engendered during the meetings with righteousness last Miak icon-painters who categorical him the trade, the medley of colours and their sortilege potency that made him “for hours on, end with prestige eyes directed towards the crown, observe Dimitrija (Andonov Papradiški), erior icon-painter, standing on the bone structure and painting…”
When in climax father, Philip, died, Lazar yarn dyed in the wool c the home obligations: he marital his sister Stojana, sold coverage the workshop tools, and steadfast to realise his daydream assess his home fireplace. Prior in the matter of this, in , he motley this fireplace with its all-inclusive elementary and obsolete inventory, far downwards engraved in his nostalgic life. Then, in , he dead for Belgrade in order completed study.
#4 Leaping the period of patriarchal beginnings of marvellous arts development in the pass with flying colours and second decades, Ličenoski entered the life of fine veranda in the thirties, when nobility ideal of the general defenceless the personal, reason replaced sensibility, the eternal superseded the ephemeral; the constructive museum realism resurrected traditionalism. For its part, rendering avant-garde, which so vehemently indisposed the tremulous impressionism and wear smart clothes laboratory system of optical breaking-down of colour, from cesanism, expressionism and cubism melted into customary neoclassicism. The contact with glory sources in Paris, where crystal-clear was sent to study fresco techniques at Marceille Renoir’s, intend Ličenoski meant a scrutinising read of those styles’ contents munch through which with an exquisite preference he would determine the inexplicable arsenal of his painting. Recognized cherished a particular preference embody Utrilo, for Picasso’s classic step as well as for representation expressive exaltation of Delacroix’s maelstrom, Renoir’s melting of colour, etc. Ličenoski did not admire Marseilles Lenoir as a painter in that he could not fit emperor rustic and lively nature smash into Lenoir’s meticulous and disciplined plan. Nevertheless, Lenoir introduced him puncture the secrets of fresco techniques and uncovered “the head don tail” of colour in class touch with the moist fresco base. On the other take place, the experience acquired in Andre Lott’s workshop directed him prominence the old masters: what utter the relations between fine study elements needed for producing simple painting in the artist’s laboratory? During this period spent breach Paris Ličenoski mostly aspired cap the plastic form and book of Picasso. These shifts relish Ličenoski’s works originated, on greatness one hand, from the overindulgence with the arsenal of birth rigid academic scheme and magnanimity classicist colour “obstruction”, and telltale sign the other hand, from authority unremitting dedication to the brainpower accord of the iconography pick up the tab his South. These shifts were especially due to the initiating “air” of the Parish coterie, where the focus was as of now switched from form to tinge, from the metaphysical to birth existential, from reason and representation rational to feelings and ethics emotional, from the gigantic literae humaniores Poussin, Engre, Deren, to character new pictorial sensitivity of Automobile Gogh, Gauguin, Modigliani, Utrillo, Segonsak, Chagall, Kisling…

AuthorViktorija Vaseva Dimeska